Based in Vancouver Canada, commercial motion picture and television photographer Robert Falconer boasts an experienced eye honed over three decades as a lifelong storyteller and multidisciplinary communications professional. A member of the International Cinematographer’s Guild 669, Robert has produced imagery for many high-profile genre properties, including The Predator, Stephen King's The Stand (2020)The Twilight Zone (2019-20)The X-Files and Supernatural, among many others. His work has been featured in leading publications around the world, including Variety, The Hollywood Reporter, Entertainment Weekly, The New York Times and Vanity Fair.

After earning his Bachelor's degree in English and History from the University of Victoria, Robert began his career in the nineties as a screenwriter—penning scripts, developing stories and pitching for television series, including Star Trek: The Next GenerationStar Trek: Deep Space Nine, and several other notable franchises. There, he established his fluency in the language of cinema. 

Simultaneously, his childhood passion for the art and science of photography deepened, further enhancing his suite of storytelling skills, even as his background as a writer helped him to recognize the importance of "narrative" to photography. He thus brings a unique combination of creative conceptualization and visualization to all his work, and has become regarded for his ability to capture the essence of a story in a single frame.

“Robert has an encyclopedic film sense, and when he leaves off with prose he can show you with pictures.” ~ Richard Edlund, A.S.C. - Oscar-winning VFX Producer (original Star Wars TrilogyRaiders of the Lost Ark) and founding member of Industrial Light and Magic (ILM).

Throughout his professional career Robert has remained a passionate aficionado of all things photographic, from the artistic to the technical. He's been a contributing writer to Nikon Owner Magazine for 18 years, has both conducted and co-produced photography workshops, and was a Fujifilm X-Photographer™ between 2015 and 2021. When time permits he can be found plying his craft in other genres of photography, including portrait, travel and fine art.

To learn more about the early genesis of Robert's photographic pursuits, along with his thoughts on photography as art-form, check out The Camera and Eye – A Lifelong Relationship with Photography.

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Click here to view latest Production CV (PDF file).


CLIENTS


ABC
NETFLIX
FUJIFILM
WWE
UPtv

ION TELEVISION 
ODYSSEY MEDA
REEL ONE ENTERTAINMENT  
  
      



TESTIMONIALS

“Robert’s still photography was stunning, to say the least, and captured exactly what the network and distributor were looking for. I’m proud to say a montage of Robert’s stills opens this movie. I can without hesitation recommend Robert for any still assignment on any type of film production.”

 — BARB CHISHOLM - PRODUCTION MANAGER, A CHRISTMAS TRUCE

“I was constantly impressed with Robert’s attention to detail and ability to tease out the most important beats from the script […] he understands genre and how to create assets that neatly encapsulate the overall intent of the writers and producers while at the same time faithfully capturing the creative decisions made on set by the director and performers.”

 — INGO LOU - PRODUCER, THE SWITCH

“…a versatile photographer with tremendous talent, and the technical skills to match. He understands the demands and nuances of the position, and possesses the skills and maturity to deliver the very best photography to his clients.”

 — KIMBERLEY FRENCH - UNIT STILLS PHOTOGRAPHER, ICG 669

“He has always coped admirably with a formidable workload, displaying excellent organizational skills, a logical mind, great tact and diplomacy, a finely-tuned eye for detail, and a good sense of humour. Professionally, he seems to thrive on hard work, lacking neither stamina nor resourcefulness.”

— GRAY LEVETT - FOUNDER AND EDITOR, NIKON OWNER MAGAZINE